GentleJunk co.

Installation that utilizes sound, light and living plant, “Sound  Fertilizer” is presented at Cologne gallery Tiefgarage situated in multicultural Ebertplatz, between 22. and 26. July 2018.

Zucchini plant is positioned at the middle of the gallery, a light bulb above and two mobile phones with sets of frequencies placed next to the plant. Zucchini has been planted in the straw bale at Center for Creative Solution in Croatia and after few months transported with  car over the half-borders (borders running only on one side of the neighboring countries) to Cologne. Cucurbita L has no known origin, some coming from USA and some from India. Its multiculturalism resembles every large EU city with its multicultural inhabitants and especially Cologne’s Ebertplatz where it is situated. 

Light used has spectrum of 4000K that enables growth and flowering, while two recycled mobile phones (non functioning, used only as sound players) play sets of frequencies created especially for zucchini plant.

Sound Fertilizer encourages plant to grow in healthy and stable conditions, inside the gallery. Technology enabled art for the plant can also pos3e a question of its environment – anthropocentric culture that grows on both neo-liberal capitalism and/or social state of liberal humanism, while neither of options are furthering away from unbalanced relationship of people as subject and plants as object.

This installation makes plant a subject, as sound is artistically produced and intended for a plant.

3 weeks of workshops with Srishti University for Art, Design and Technology students resulted with an exhibition opened on 14.12.17.  in the complex of RMZ Ecoworld in Banglaore, India’s most rapidly growing city that has it’s devastating effect on the environment. As Bangalore is known as Silicon Valley of India, its population is growing at amazing rate. RMZ IT Park, with office spaces, health activity facilities, shopping, dining, amphitheater and art gallery, promotes itself as “work-leisure sustainable environment where natural and architectural forms are symbiotically integrated using responsible planning and precise engineering”.

Site specific installation “Ecocentric” juxtapositions its organic aesthetics to human engineered pavilion that proudly announces its ecological concept. A small forest was created, mulched with coconut leftovers from Bangalore street vendors. After that it was inhabited with multi-plant life that was “fed” by the custom frequencies from small speakers placed in the soil.

LCD screen was informing public on ecocentric activities dating all the way back to begging of 20th century, proposing sound as a genuine organic fertilizer for the plants.

16 Channel Fertilizer (2.0) was exhibited at Silba Art Environment festival happening during July and August 2017 at small island Silba, set just off the coast of Croatia’s town of Zadar. 16CSF is upgrade on 1.0 of the same multichannel sound installation presented earlier this year in Berlin. This time set up is at Silba’s open space gallery among sculptural work of Marija Ujević Galetović. Each channel is playing one of the researched sounds or musical scores that is said to help particular aspects or plants with its vibration. Exhibition is thus not set for humans, but for plant world.

Installation consists of small wooden resonant boxes that have transportable battery and solar panel connected to them that are powering recycled mobile phones used as sound players. each sound box was set up near its plant, growing there because it was planted or self-grown. They stay in contrast to sculptural work by their number and position, not intending to be there for human visitors, but placed around and for the plants.

Reclaiming and defending the ‘old territories’  for any meaningful and inhabitable future.

MMkamp brought more than 30 people together to investigate, reclaim, create TAZ, participate, learn, acknowledge and appreciate trough workshop and presentation.

Have a look at photolog.

Sound Art Inkubator curated by Kontejner and exhibited in Gallery Močvara in Zagreb on opening day brought together Ivan Jovanovac, Tin Dožić and Kruno Jošt. Their collaboration is exquisite 30 minutes ambient dream.

De(con)structing Conformity – video documentation from GentleJunk on Vimeo.

De(con)structing Conformity is performance done during the opening of the exhibition REFLECTION – Ecology of Cultural Landscape on 22nd November 2012. in gallery Scheier, Čakovec, Croatia.
In De(con)structing Conformity Kruno Jošt together with collaborators Maja Kohek and Simon Podlauf destroys an armchair as a symbol of conformity in contemporary society. The armchair represents a passive attitude in an even more passive society where one doesn’t want to lose their armchair while making political moves. It gives us false security and is as such a symbol of power. The de(con)struction of the symbol enables reflection on our own conformity. The question now is how we confront conformity in contemporary society?

Textil{e}tronics
From textile to electronic thread, from substance to fashion item

02.03.2012. – 01.04.2012.
Galženica Gallery, Velika Gorica, Croatia
http://www.galerijagalzenica.info/node/2819 

‘Let’s now delve deep into the fluff’
Massimo Banzi, Getting Started with Arduino

‘Following the development of a simple thread into complex new media objects, the exhibition will touch upon recent developments in the areas of wearable technology and electronic sculpting through lumino light objects and the presentation of Arduino microcontrollers.

Dealing with sculptural textile (J. Štefanec) and electronic thread (A. Klančić), designed substance and new meanings of objects (P. Dona), as well as socially responsible textile art (M. M. Pungerčar), the exhibition presents an overview of contemporary new media directions and questions the meaning of the medium as such. The social and emacipatory aspects of textile arts are clear – they invoke thoughts of industrial manufacturing, DIY subculture and self-sustained systems, especially in relation to recent similar developments in the fields of open source and wearable technology (Arduino, Body Pixel Studio).

The thread as a seemingly fragile, but basically all-pervasive, almost indestructible matter, and the wire as a conductor and an arbiter of electrons are hereby linked. Juxtaposed in a way, the materials provide the cohesive narrative for the objects presented. The exhibition examines this link from the microscopic amorphous shape and suppleness of the material, all the way to the subtle robustness of the objects. Mechanic perfection, be it the human body or a machine, is not a prerogative here, since the delightful awkwardness of mechanics does not comply with the projected reality. The uncertainty of the performance which accompanies every new-media art process, is quite well suited to the fragility of the textile thread.’
Text by Deborah Hustic

Guerilla knitters: Una Bauer, Ana Dadić a.k.a. ŠtrikAna, Vana Gaćina, Ivana Ivković, Antonija Letinić, Maja Kalogera, Marijana Rimanić, Maša Žarnić.

Curator: Deborah Hustić http://www.bodypixelstudio.com/

DIY Arduino by Davor Jandrijević Emard

Curator’s assistant & organizer: Ana Kovačić
Design: Petra Zlonoga
Music: Kruno Jošt

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