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| - | My practice is informed by different concepts of environemnt. As my studies started with painting and classical drawing/sculptoring with classes in art history, continued trough Gerriti Rietvield utilitarian concepts of art in the time cultural indistry was just starting and MFA gained at transdisciplinars studies of at that time new media now creative practices studies, span of informations, systems and priciples that I have encountered granted me insights into transdisicplinary strategies. | + | My practice is informed by different concepts of environment. As my studies started with painting and classical drawing/sculpturing with classes in art history, continued trough Gerriti Rietvield Kunst Akademie utilitarian concepts of art in the time cultural industry was just starting and MFA gained at transdisciplinars studies of at that time new media now creative practices studies, span of informations, systems and principles that I have encountered granted me insights into transdisicplinary strategies. |
| - | I have realised that all systems of art that I have encountered are anthropocentric, and that artist are not here only to satisfy human needs for aesthetic and "spiritual and cultural advancement" and that this systems are always neglecting if not completely erasing other coenhabitants. by learning about permaculture, a question started to arrise -"what would art for plants be". I was not onterested in teching pigs or elephants or bugs to paint, or to connectt wires to plants to "heare them sing". I was interested what would be concepts of doing art for non humans. | + | I have realized that all systems of art that I have encountered are anthropocentric, and that artist are not here only to satisfy human needs for aesthetic and "spiritual and cultural advancement" and that this systems are always neglecting if not completely erasing other cohabitants. by learning about permaculture, a question started to arrise -"what would art for plants be". I was not interested in teaching pigs or elephants or bugs to paint, or to connect wires to plants to "here them sing". I was interested what would be concepts of doing art for non humans. |
| - | Such questions have natural consequences to research into "Art Operating Systems" that I have gaoined my masters. Insitutional, non institutuional and market systems are never concerned about aother inhabitnats but humans. There is no operas or bale for plants, nor rock concerts for animals. Nor would they care much, not would it be geopoliticali appropriate, nor could they be connected to any culturel history pool. No one ever has looked at that aspects. | + | Such questions have natural consequences to research into "Art Operating Systems" that I have gained my masters. Institutional, non institutional and market systems are never concerned about aother inhabitants but humans. There is no operas or bale for plants, nor rock concerts for animals. Nor would they care much, not would it be geopolitical appropriate, nor could they be connected to any culture history pool. No one ever has looked at that aspects. |
| - | At the other side, shamans, artists from caves, indiginous cultures all have a very rich and sacred connections to other inhabitants. I todays world where questions of our suvival is not seen any more as survival of the fittest, but as collaboration of all, art has a definite space to pose questions that science cannot, and to give possibl esolutions wich are out of narrow concepts of civillisation, survival or tragedy. | + | At the other side, shamans, artists from caves, indigenous cultures all have a very rich and sacred connections to other inhabitants. I todays world where questions of our survival is not seen any more as survival of the fittest, but as collaboration of all, art has a definite space to pose questions that science cannot, and to give possible solutions which are out of narrow concepts of civilization, survival or tragedy. |
| Artist needs to be free and follow o his path of thinking, creating and questioning, and be stubborn in his non compromised critique. I learned art that is representational is the same as any part of history - no matter if latest technology is clay, bronze, oil painting or AI. | Artist needs to be free and follow o his path of thinking, creating and questioning, and be stubborn in his non compromised critique. I learned art that is representational is the same as any part of history - no matter if latest technology is clay, bronze, oil painting or AI. | ||
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| + | Recent practice is thus mostly informed by permaculture (permanent agriculture) and aesthetic methods that I have learned in different positions. I am teaching myself to live and work with the environment as creative being in search for re-establishing connections to environment. | ||
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