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“In some situations water is full of energy, sometimes it is sluggish and exhausted; in some conditions it dies. “To an untrained eye dead water still looks like water. So we expect it to do the same job as healthy energetic water.” Charlie Ryrie, author of The Healing Energies of Water.”
ecosway.com/ecosway/en_US/hexagon_03.jsp

“Harvard researchers investigated 6,214 cases of major depression for factors that would predict transition to bipolar disorder. Clinical characteristics such as age of onset or atypical symptoms did not predict manic episodes. Risk factors included younger age, black race/ethnicity, and a less than high school education. A history of social phobia, anxiety disorder, child abuse, and recent problems with social support were also associated with increased risk. Results will appear in an upcoming Journal of Clinical Psychiatry.”
http://www.madinamerica.com/2012/03/environmental-factors-drive-mania/

Italian noise experimental duo ODRZ has created music for upcoming Olympics where GentleJunk created a video material.

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New Emphasis release under name Gliding Over All has a video for first song on the album named Alda.

Welcome Back Ye Annunaki is a showcase of works answering the question How would you host an ancient alien? The artists in the exhibition responded to an international call for proposals inspired by Zecharia Sitchin’s Earth Chronicles, a book detailing how the human species originated from extraterrestrial beings. These distant relatives are scheduled to return to the earth in December 2012.

Participating artists have proposed a variety of convivial acts to welcome Annunaki families from the planet Nibiru upon their return visit to earth after a 3,600-year orbit. The projects take a variety of forms, from an intergalactic calling card to a bed away from home, collegial gestures of kindness that reveal the customs that we embrace as human citizens of earth.

Welcome Back Ye Annunaki provides a constructive take on Sitchin’s mythology, one of the many associated with the year 2012. Exhibition is held in Open Space Artist Run Centre (Victoria, Canada), November 16, 2012 – December 21, 2012.

Among many, I am am the one, who has been contacted by Annunaki, many times, sometimes while asleep, sometimes awake. They inform me over and over again of their visit, and I know I have to await for them and clean my temple. I have to await and take care of the temple that will host them. And that temple is me.

Most of us are unaware that Annunaki is/are not of mater, but of spirit, and to host them you do not clean the interior of your house, but interior of your self. One cleans it with rigour, spiritual and mental, in taking out the trash, and taking in the health and beauty.

When Annunaki comes, we greet It to our temple, we let It to ourself, and we carry It where we go, we feed It what we eat, It sleeps when we sleep, It sees what we see. That is why if we host them we have to restrain from bad habits, we have to restrain from manipulative toughs, we have to restrain from hurting ourself and others. When we host It we do it with pleasure and It lives trough us.

De(con)structing Conformity – video documentation from GentleJunk on Vimeo.

De(con)structing Conformity is performance done during the opening of the exhibition REFLECTION – Ecology of Cultural Landscape on 22nd November 2012. in gallery Scheier, Čakovec, Croatia.
In De(con)structing Conformity Kruno Jošt together with collaborators Maja Kohek and Simon Podlauf destroys an armchair as a symbol of conformity in contemporary society. The armchair represents a passive attitude in an even more passive society where one doesn’t want to lose their armchair while making political moves. It gives us false security and is as such a symbol of power. The de(con)struction of the symbol enables reflection on our own conformity. The question now is how we confront conformity in contemporary society?