ART01 Project in its 11th Month
ART01 is a project that examines art operating systems trough self reflection on artistic practices done in last 11 months – from September 2009 to July 2010. On 25th July ART01 has a public presentation in ContentArt gallery, Kreutzbergstr. Berlin. Please join for collaborative public event, spiced with pirate radio, on-line broadcast, social games, linux install party, exchange and swap, loop and feedback.
Diagrams are important part of ART01 project, have a look at gallery >>

Click to enlarge
PDES
PDES (Pure Data Exchange Summit) is yet another step into the research on collaborative environments, its stimulants, individuals and their mind-sets which forms a group work. PDES is an example of what are (generally) the themes created in collaborative process orientated work environments that are critical to art itself.

Read the full report here >>
Quasi Quasi album out at Narrominded
Dutch record label Narrominded release no.51 under name Quasi Quasi, a project by Gijs Borstlap and Kruno Jošt is out now.Quasi Quasi is a join project of Kaisergrutva and GentleJunk netlabels.
Here is short recap of the reviews:
The limited cd / free download Quasi Quasi by Kruno Jošt | Gijs Borstlap is only out for two weeks, but already received some raving reviews. Vital Weekly says their music is ’a curious hybrid of improvisation meeting noise meeting drone meeting rock’ and thinks that it’s ‘a trip that pays off.’ Subjectivisten / Caleidoscoop calls it a ‘fantastic project’ and Kindamuzik says that ‘the deconstructive Quasi Quasi shows that Narrominded, besides retro-electronics, is also deeply rooted in the current progressive improvisation music.’
Listen at Narrominded >>
EEII’09

Mario Jaksic in interactive performace suit
In gallery Scheier, Čakovec, Croatia, on 05th December 2009, EEII’09 12 hour event brought together artists from Greece, Netherlands, Italy and Croatia.
Temporary Autonomus Arts in Manchester

Wall graphite
Inspired by London collective ‘Random Artists’, over the past few years collective groups in Bristol, Manchester, Edinburgh and Brighton have been coming together to create a cultural, interactive, autonomous space where people are free to be, free to create, and free to express themselves. Forbiden Arts Manchester in 2009 happened in occupied primary school building that was left empty waiting for decisions by city hall and omnipotent property developers will it be brought down or repaired. Idea was to enter existing space that is not used at the moment and put it into public use for local community. Doors were open to everyone who wanted to take part in collective art event.

Noisy Toys room - colective sound/noise experiance
Wall paintings, poetry readings, video nights, fashion show, sound workshops, cabaret, installations, raveoke night, all fitted in aesthetics of local event that is characterized on MFA web page as: “An event like this doesn’t just happen but is the result of many, many people’s hard work.”

TAA Manchester big hall event
CR 4.0 won Artemov 1st prize for locative media competition

As it is, as it goes, prizes are starting to come in for the work that insisted on taking representative form from participative processes developed beforehand. Its 4th reincarnation happened in slightly different context, most notably in its new terms of negotiating project in the newly formed team. Positions that prizes involve: question of value, ownership, possible marketing strategies, group dynamics according to personal needs and acceptance of needs of others have surfaced at metalevel. CultureRobot became something that could easily be put into broad cultural concept and disseminated in the form it is trough events and festivals. Read more on Belo Horizonte and Salvador festival here >>.
Actfest in Čakovec, CRO

Circuit bending workshops and sound performance organized during ACTFEST in Čakovec brought ZID.BUKE (NoiseWall) together once again (maybe for the last time in this decade!).

Circuit bending workshop was finalized by performance that invited audience to try all the instruments created or recreated. As it goes with invitation for participation events, ego is dispersed, fines is lost. I am thinking is it the power of the group, embracing crowd attitude, or is it using crowd to do my own work?