Kruno Jošt

Nature Like is an artist research of coexistence with his immediate environment using permacultural methods and photography that documents seasonal time-span.

NK uses artists labor to develop and organize “multi-cultural” garden (not “mono-cultural”) that will eventually become permanent and autonomous – people independent. Slide show documents artist arrangement of the garden, using its shape like a painter would use a canvas, and gardening materials as a paint. Elements of this composition include wind, sun, rain,  microbes, fungi, plants, insects, soil, stone, compost, birds, larva, worms, frogs, snakes and other small animals, straw bales, water, wood, plastic canvas (tarp), plastic cups and water containers, water hoses, plastic compost containers, snow and temperature.

MSF at Stützpunkt ​Teufelsberg gallery, Berlin, is an installation that uses renewable energy, plant, light and sound to create elements that are presented in need of questioning relations of “us” and “nature”.

Installation produces light and sound frequencies that are beneficial to the plant. It is a mobile installation that is powered by sun light over photo-voltaic panel. Electricity is than stored in a battery that powers recycled mobile phone playing specific frequencies for the plant. Battery also powers a light that shines trough red and blue led diodes benefiting plant growth and fruit development.

MSF is art that is beneficial to the plant. It is not solely here to be an art piece for human observation. thus, it is asking a question of art production – who is it for and why, art institutions – who they present art and why, and reasons for art in Anthropocene.

Installation that utilizes sound, light and living plant, “Sound  Fertilizer” is presented at Cologne gallery Tiefgarage situated in multicultural Ebertplatz, between 22. and 26. July 2018.

Zucchini plant is positioned at the middle of the gallery, a light bulb above and two mobile phones with sets of frequencies placed next to the plant. Zucchini has been planted in the straw bale at Center for Creative Solution in Croatia and after few months transported with  car over the half-borders (borders running only on one side of the neighboring countries) to Cologne. Cucurbita L has no known origin, some coming from USA and some from India. Its multiculturalism resembles every large EU city with its multicultural inhabitants and especially Cologne’s Ebertplatz where it is situated. 

Light used has spectrum of 4000K that enables growth and flowering, while two recycled mobile phones (non functioning, used only as sound players) play sets of frequencies created especially for zucchini plant.

Sound Fertilizer encourages plant to grow in healthy and stable conditions, inside the gallery. Technology enabled art for the plant can also pos3e a question of its environment – anthropocentric culture that grows on both neo-liberal capitalism and/or social state of liberal humanism, while neither of options are furthering away from unbalanced relationship of people as subject and plants as object.

This installation makes plant a subject, as sound is artistically produced and intended for a plant.

3 weeks of workshops with Srishti University for Art, Design and Technology students resulted with an exhibition opened on 14.12.17.  in the complex of RMZ Ecoworld in Banglaore, India’s most rapidly growing city that has it’s devastating effect on the environment. As Bangalore is known as Silicon Valley of India, its population is growing at amazing rate. RMZ IT Park, with office spaces, health activity facilities, shopping, dining, amphitheatre and art gallery, promotes itself as “work-leisure sustainable environment where natural and architectural forms are symbiotically integrated using responsible planning and precise engineering”.

Site specific installation “Ecocentric” juxtapositions its organic aesthetics to human engineered pavilion that proudly announces its ecological concept. A small forest was created, mulched with coconut leftovers from Bangalore street vendors. After that it was inhabited with multi-plant life that was “fed” by the custom frequencies from small speakers placed in the soil.

LCD screen was informing public on ecocentric activities dating all the way back to beginning of 20th century, proposing sound as a genuine organic fertilizer for the plants.

16 Channel Fertilizer (2.0) was exhibited at Silba Art Environment festival happening during July and August 2017 at small island Silba, set just off the coast of Croatia’s town of Zadar. 16CSF is upgrade on 1.0 of the same multichannel sound installation presented earlier this year in Berlin. This time set up is at Silba’s open space gallery among sculptural work of Marija Ujević Galetović. Each channel is playing one of the researched sounds or musical scores that is said to help particular aspects or plants with its vibration. Exhibition is thus not set for humans, but for plant world.

Installation consists of small wooden resonant boxes that have transportable battery and solar panel connected to them that are powering recycled mobile phones used as sound players. each sound box was set up near its plant, growing there because it was planted or self-grown. They stay in contrast to sculptural work by their number and position, not intending to be there for human visitors, but placed around and for the plants.

“16 Channels Sound Fertilizer” sound installation uses renewable energy sources to run multiple speakers that are playing the sounds offered by various sound-for-plants researchers. Sounds include different frequency ranges, noise generators and musical interpretations as well as sound compositions offered by French mathematician and physicist Joel Sternheimer who developed a study on protein synthesis activation. Installation is questioning an alternative to “art-for-humans” position as well as alternative to industrial agriculture and its extensive usage of pesticide and chemical fertilizers that is contributing to climate change.

Reclaiming and defending the ‘old territories’  for any meaningful and inhabitable future.

MMkamp brought more than 30 people together to investigate, reclaim, create TAZ, participate, learn, acknowledge and appreciate trough workshop and presentation.

Have a look at photolog.

Taken ba Mimi Milivoj Kuhar at Kiblix festival, Maribor

Wall graphite

Inspired by London collective ‘Random Artists’, over the past few years collective groups in Bristol, Manchester, Edinburgh and Brighton have been coming together to create a cultural, interactive, autonomous space where people are free to be, free to create, and free to express themselves. Forbiden Arts Manchester in 2009 happened in occupied primary school building that was left empty waiting for decisions by city hall and omnipotent property developers will it be brought down or repaired. Idea was to enter existing space that is not used at the moment and put it into public use for local community. Doors were open to everyone who wanted to take part in collective art event.

Noisy Toys room - colective sound/noise experiance

Wall paintings, poetry readings, video nights, fashion show, sound workshops, cabaret, installations, raveoke night, all fitted in aesthetics of local event that is characterized on MFA web page as: “An event like this doesn’t just happen but is the result of many, many people’s hard work.”

TAA Manchester big hall event

Noisy Toys collaborative event video >>

Circuit bending workshops and sound performance organized during ACTFEST in Čakovec brought ZID.BUKE (NoiseWall) together once again (maybe for the last time in this decade!).

Circuit bending workshop was finalized by performance that invited audience to try all the instruments created or recreated. As it goes with invitation for participative events, ego is dispersed, fines is lost.

During Liwoli festival in Linz (April 2009), Austria, Ricardo Palmieri and Kruno Jošt created another MIMOSA. Read more on creating it here >> and more on the MIMOSA ACTION here >>.  Thanx for all the help to all participants!
At Liwoli fest a performance of LiveNoiseTupi also took place with helping hand of  Daniel Turing and other people from the audience. Documentary about the festival can be downloaded here >> and photolog here>>.
Most interesting are talks made during MIMOSA Action with the students >>, free media jurnalist>>, tourist>> and with artist>>.

In order to create understanding and transformation of the world one must create adventures;
Terrain of the cityscape in relation to its emotive resistivity;
Ludic adventurism;
Off-limit areas;
Capture;
Explore;
Rethink;
Discover;
We are bored in the city, we really have to strain to still discover mysteries;

Slide show of the photo research in empty building in Linz, Dauphinestr. 9 >>

Psychogeography, a subfield of geography, was defined in 1955 by Guy Debord as “the study of the precise laws and specific effects of the geographical environment, consciously organized or not, on the emotions and behavior of individuals.”

(http://en.wikipedia.org/wiki/Psychogeography)

During opening session of Dorkbot Rio a team of deconstructionalists have performed once again. This time a ‘Fusca’ (popular Beetle or Volkswagen) produced in 1968 was carved down on 24th May 2008, 40 years after it was produced and 40 years after counterculture and those revolutionary days which are so much evoked in the Brazilian media today, due to older rich people remembering them as the ‘days when they were driving Beetles with the flowers in their hair’.

Dorkbot Rio was hosted by Circo Voador, famous club in the heart of Rio da Janeiro. Production unit were: Bruno Tarin, Bruno Vianna, Giuliano Bonorandi, Frado on sound and Kruno Jošt. Thousands of thanx to many others that helped and worked with us making video or photographic documentation we can all enjoy now. Thanx again to all people that came for the event and joined in at the end in the manner that I have encountered only with people from Brasil.

To see event photolog go here >>

Dorkbot-RJ Zero from bruno tarin on Vimeo.

In the concept of Free Web Poetry ‘Free’ refers to freedom of expression (freedom for nonlinear expression and intuitive creation), ‘Web’ refers to online but also web-like structure, and ‘Poetry’ is from the Greek “ποίησις“, poiesis, a ‘making’ or ‘creating’.

FWP could be intriguing for writers and artists who like to make complex nonlinear structures. I use it for making interactive  cut-up / haiku poems  – poems change as reader clicks on the nodes.

How to use: download and install xebece (software developed by Roman Kennke). Write a short sentence or a word in each node, make connection to next node and keep on writing. Play with the structure and new meaning will arise.

Download short video (5 Mb) in ogg theora codec of FWP ‘Poštovani konj’ (‘Respected Horse’).

FWP Download

More GentleJunk sticking >>

Deconstructing a car in amphitheater lookalike back yard was a successful step towards a participative mode in performing with young people. DK:07:DU performance was joined by two young and enthusiastic car destructionists in Dubrovnik. ZB introduced a new element in a performance – fire. Cheesy idea, but it was not planed. It was as natural as this performance is.

Photolog >>

Theramin session, radio hacking session, joined work, theramin audio installations, live acts and performances and cellular automata music presentation (more than installation) could be seen at opening in Kunsarkaden gallery on Saturday 24th of November 2007.

“An annual mini a=v FESTIVAL features workshops, live sound-visual acts, improvisational concerts/performances, audience-interactive installations and other live and non-passive forms of audio-visual uncommercial communication. It aims to present and promote independent artistic developments and encourage experimental *do it yourself* activities.”

Many hands joining together to create chaos out of, sometimes too structured, north-west-European culture, de-constructing old radios and constructing improvisational sound sessions (concerts) for large number of culture consumers in rich spoiled west. Human Theramin antenna was controlled by visitors joining hands – the first art gallery opening where I have had the pleasure to see something similar.

Photolog >>

New release on GentleJunk co. NetLabel

Munich Radio Hacking Orchestra aka circuit bending workshop participant’s concert was recorded and relesed on GentleJunk Netlabel.
Circuit-bending / radio-hacking workshop participants and performers are: Daniel Door/de, Guenther Gessert/at, Heike Siegert/de, Jordi Sanchez Puig/es, Judith Egger/de, Jakob Doering/de, Kruno Jost/hr, Michael Kurz/de, Martin Krejci/de, Natalia Borissova/ru de, Anna Sobczak/pl de.
Workshop leaders: Sarah Washington/uk de, Knut Aufermann/ de.
Edite by Kruno Jošt, published on GentleJunk co. NetLabel November 2007.

DOWNLOAD OR LISTEN FROM ARCHIVE.ORG>>

Munich Radio Hacking Orchestra live at Kunsarkaden Play Now | Play in Popup | Download

Impromondays crew performing on No Jazz festival in Zagreb, ITD, Student Center 05.11.2007.
Vid Jeraj – tenor sax
D.P.Pajic – El.guitar, fx., percussions;
Kruno Jost – El.guitar, fx., laptop;
Anna Ghallo – vocal;
Višeslav Labosh – turntable, sound generator, effects.
Released on GentleJunk NetLabel November 2007.
Running time: 42 min

Photolog >>

DOWNLOAD OR LISTEN FROM ARCHIVE.ORG>>

ImpromondaysNoJazz-AsItWasItIsNoCut - 64 kb [ 0:01 ] Play Now | Play in Popup | Download