Kruno Jošt

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Post-normal Art

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Post-normal Art is a diary that draws its inspiration on the text of Ziauddin Sadar “Welcome to Postnormal Times” from 2009. in the form of a blog with texts, parts of Sadar’s translated texts, photographs, sound and video shorts.

Diary is leading us deeper in understanding how to manage post normal times with art practice, what that practice should be, and how to realize it.

 

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November 1st, 2021 at 7:52 pm

Minor Disturbances Comet 21/Borisov 8th December 2019

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Photo of a found object, an oak tree leaf that has fallen on the snow. Radiated by the sun, leaf has accumulated enough energy to melt its own image in inverse, a sort of its own cast in the snow.

Photo is a part of  Minor Disturbances with participation of following artists: Rita Cachão, Henry Collins, Edith Doove, Bruno Duarte, Margarete Jahrmann, Kruno Jošt, Jason Karaindros, Robert Maddox-Harle, Ollivier Moreels & Jean-Louis Vincendeau, Sana Murrani,Guiherme Pontes, Michael Punt,Aparna Sharma and Paul Towey.

Inspired by Charles Ives vision of spatially distributed creativity in his unfinished Universe Symphony, The Faculty of Minor Disturbances (FMD) sent out an invitation to create a minor disturbance as we corralled the forces of the universe together with 2I/Borisov, an interstellar comet which visited the solar system.

Ives’s The Unanswered Question was said to be written under the influence of by the New England writers Ralph Waldo Emerson and Henry David Thoreau.

See participating works here >>

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February 17th, 2020 at 10:23 pm

Sound Fertilizer at Tiefgarage Galery, Cologne

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Installation that utilizes sound, light and living plant, “Sound  Fertilizer” is presented at Cologne gallery Tiefgarage situated in multicultural Ebertplatz, between 22. and 26. July 2018.

Zucchini plant is positioned at the middle of the gallery, a light bulb above and two mobile phones with sets of frequencies placed next to the plant. Zucchini has been planted in the straw bale at Center for Creative Solution in Croatia and after few months transported with  car over the half-borders (borders running only on one side of the neighboring countries) to Cologne. Cucurbita L has no known origin, some coming from USA and some from India. Its multiculturalism resembles every large EU city with its multicultural inhabitants and especially Cologne’s Ebertplatz where it is situated. 

Light used has spectrum of 4000K that enables growth and flowering, while two recycled mobile phones (non functioning, used only as sound players) play sets of frequencies created especially for zucchini plant.

Sound Fertilizer encourages plant to grow in healthy and stable conditions, inside the gallery. Technology enabled art for the plant can also pos3e a question of its environment – anthropocentric culture that grows on both neo-liberal capitalism and/or social state of liberal humanism, while neither of options are furthering away from unbalanced relationship of people as subject and plants as object.

This installation makes plant a subject, as sound is artistically produced and intended for a plant.

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August 10th, 2018 at 11:07 am

“Ecocentric” exhibition with the students in RMZ EcoWorld, Bangalore

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3 weeks of workshops with Srishti University for Art, Design and Technology students resulted with an exhibition opened on 14.12.17.  in the complex of RMZ Ecoworld in Banglaore, India’s most rapidly growing city that has it’s devastating effect on the environment. As Bangalore is known as Silicon Valley of India, its population is growing at amazing rate. RMZ IT Park, with office spaces, health activity facilities, shopping, dining, amphitheatre and art gallery, promotes itself as “work-leisure sustainable environment where natural and architectural forms are symbiotically integrated using responsible planning and precise engineering”.

Site specific installation “Ecocentric” juxtapositions its organic aesthetics to human engineered pavilion that proudly announces its ecological concept. A small forest was created, mulched with coconut leftovers from Bangalore street vendors. After that it was inhabited with multi-plant life that was “fed” by the custom frequencies from small speakers placed in the soil.

LCD screen was informing public on ecocentric activities dating all the way back to beginning of 20th century, proposing sound as a genuine organic fertilizer for the plants.

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April 27th, 2018 at 10:06 am

16 channel sound fertilizer (sound garden) @ silba art environement

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16 Channel Fertilizer (2.0) was exhibited at Silba Art Environment festival happening during July and August 2017 at small island Silba, set just off the coast of Croatia’s town of Zadar. 16CSF is upgrade on 1.0 of the same multichannel sound installation presented earlier this year in Berlin. This time set up is at Silba’s open space gallery among sculptural work of Marija Ujević Galetović. Each channel is playing one of the researched sounds or musical scores that is said to help particular aspects or plants with its vibration. Exhibition is thus not set for humans, but for plant world.

Installation consists of small wooden resonant boxes that have transportable battery and solar panel connected to them that are powering recycled mobile phones used as sound players. each sound box was set up near its plant, growing there because it was planted or self-grown. They stay in contrast to sculptural work by their number and position, not intending to be there for human visitors, but placed around and for the plants.

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August 9th, 2017 at 8:58 pm

Exhibition, conference, camp and much more at Pixelache

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Pixelache Festival 2013 with its theme of Facing North Facing South profiles the work of the Bricolabs mailing list, an independent and dynamic network of people absorbed with sharing, DIY, open source software, hardware and environmental sustainability living in various localities across the world whose online and offline exchange of heterogeneous practices and ideas have driven the network since its formation in 2006.

Bricolabs’ Exhibition

Where: Suvilahti ‘Square’ (location to be confirmed), free entrance!
Opening: Thursday 16.5. at 19.00
Exhibition dates: 17.-26.5., from Wednesday to Sunday 13.00 – 18.00

Three shipping containers will host workshops and artworks made by various members of Bricolabs: A ‘brico-archive’ corner assembled by Gabriele Asbesto, including diverse documentation on processes, including “how-to’s”, video works, texts and brico-objects; A nearby graffiti wall will provide an evolving open canvas for demonstration and exchange of concepts, ideas and views; An interactive installation – Vjing Nature – created by Ivan Henriques & Kasia Molga and Erik Overmeire will invite us to address inter-connections between sensor technology, data vis and microbiology; In addition, the Sensorium project from Salvador de Bahia will be presented on video. Collaborative curation; visual design: Kruno Jost.

Read the rest of this entry »

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May 9th, 2013 at 10:53 am

De(con)struction in MAKE8ELEIVE issue #3

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De(con)struction found its way into issue number 3 of on-line magazine MAKE8ELIEVE: 3rd issues topic was OIL.

with:
Jennifer Axner, Julie Badin, Hélène Baril, Kristen Baumlier, Mehdi Benkler, Edward Burtynsky, Arnaud Cohen, Valerie Constantino, Stephanie Craig, Olivier De Sagazan, Cédric De Smedt, Jason DeMarte, Adam Dumont, Edouard Duvernay, Jane Fulton Alt, Olivier Garraud, Mihai Grecu, Henry Hargreaves, David Herbold, Ryan Hopkinson & Christopher Raeburn, Rebecca Horne, Franck Hoursiangou, Kennedy James, Harris Johnson, Kruno Jost, Sofia Karlström, Amir Hossein Keihani, Florent Konné, Mehdi-Georges Lahlou, Liberate Tate, Katie Loesel, Antonio Maia & Fernando Belfiore, Michael Massaia, Lauren McCleary, Elizabeth McCue, Michelle Marie Murphy, Sorin Oncu, Holly Parker, Vincent Petitpierre, Sarah Pickering, Wilson Roscoe, Evan Roth, Mary Rothlisberger, Fred Rougerune Loison, Diego Sanchez, Wolfgang Stiller, Arya Sukapura Putra, Marc Neys Swoon, Jean-Jacques Tachdjian, Carlos Vergara, Paul White, Christophe Wlaeminck, Marshall McLuhan, Slavoj Žižek, M.I.A., Roland Barthes, Yohji Yamamoto, Larry Hagman as J.R. Ewing.


www.make8elieve.com

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February 9th, 2013 at 10:06 am

Textil{e}tronics in Galženica Gallery, Velika Gorica, Croatia

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Textil{e}tronics
From textile to electronic thread, from substance to fashion item

02.03.2012. – 01.04.2012.
Galženica Gallery, Velika Gorica, Croatia
http://www.galerijagalzenica.info/node/2819 

 

‘Let’s now delve deep into the fluff’
Massimo Banzi, Getting Started with Arduino

‘Following the development of a simple thread into complex new media objects, the exhibition will touch upon recent developments in the areas of wearable technology and electronic sculpting through lumino light objects and the presentation of Arduino microcontrollers.

Dealing with sculptural textile (J. Štefanec) and electronic thread (A. Klančić), designed substance and new meanings of objects (P. Dona), as well as socially responsible textile art (M. M. Pungerčar), the exhibition presents an overview of contemporary new media directions and questions the meaning of the medium as such. The social and emacipatory aspects of textile arts are clear – they invoke thoughts of industrial manufacturing, DIY subculture and self-sustained systems, especially in relation to recent similar developments in the fields of open source and wearable technology (Arduino, Body Pixel Studio).

The thread as a seemingly fragile, but basically all-pervasive, almost indestructible matter, and the wire as a conductor and an arbiter of electrons are hereby linked. Juxtaposed in a way, the materials provide the cohesive narrative for the objects presented. The exhibition examines this link from the microscopic amorphous shape and suppleness of the material, all the way to the subtle robustness of the objects. Mechanic perfection, be it the human body or a machine, is not a prerogative here, since the delightful awkwardness of mechanics does not comply with the projected reality. The uncertainty of the performance which accompanies every new-media art process, is quite well suited to the fragility of the textile thread.’
Text by Deborah Hustic

Guerilla knitters: Una Bauer, Ana Dadić a.k.a. ŠtrikAna, Vana Gaćina, Ivana Ivković, Antonija Letinić, Maja Kalogera, Marijana Rimanić, Maša Žarnić.

Curator: Deborah Hustić http://www.bodypixelstudio.com/

DIY Arduino by Davor Jandrijević Emard

Curator’s assistant & organizer: Ana Kovačić
Design: Petra Zlonoga
Music: Kruno Jošt

 

 

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March 2nd, 2012 at 9:58 am

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MMKamp ’11

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Field recording during MMKamp '11

Multimedia cam – MMKamp was held this year in Marija Bistrica and Zabok, north Croatia. Read more about it here >>
Have a look at the photolog>> or lilsten to the audio drama recorded in a group fashion by all the participants:

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May 23rd, 2011 at 9:03 am

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SONIFICATION III event in Split

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Noise event SONIFICATION III hosted noise musicians from Croatia and Italy. In culture centre Kocka in Split on 14th Novembre BRAINTOURNIQUET (Venice), NARAYAN (Sisak), GENTLEJUNK (Zagreb), VIŠESLAV LABOSH (Zagreb)
KARMAKUMULATOR + POWERSET AXIOM (Split) presented their audio-visual works that was questioning what is and how can therm Sonification be represented.

BRAINTOURNIQUET, Venice. Creating noise with el. magnetic fields.

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November 21st, 2010 at 12:20 pm

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EEII’10 and MMKamp’10 reports

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EEII’10 and MMKamp’10 reports can be found here:

MMKamp >>

EEII >>

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November 9th, 2010 at 5:00 pm

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PDES

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PDES (Pure Data Exchange Summit) is yet another step into the research on collaborative environments, its stimulants, individuals and their mind-sets which forms a group work. PDES is an example of what are (generally) the themes created in collaborative process orientated work environments that are critical to art itself.

Read the full report here >>

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July 17th, 2010 at 11:31 pm

EEII’09

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Mario Jaksic in interactive performace suit

Mario Jaksic in interactive performace suit

In gallery Scheier, Čakovec, Croatia, on 05th December 2009, EEII’09 12 hour event brought together artists from Greece, Netherlands, Italy and Croatia.

Blog entry with personal observation >>

ART01 entry describing how EEII’09 functioned >>

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January 26th, 2010 at 10:23 am

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Temporary Autonomus Arts in Manchester

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Wall graphite

Wall graphite

Inspired by London collective ‘Random Artists’, over the past few years collective groups in Bristol, Manchester, Edinburgh and Brighton have been coming together to create a cultural, interactive, autonomous space where people are free to be, free to create, and free to express themselves. Forbiden Arts Manchester in 2009 happened in occupied primary school building that was left empty waiting for decisions by city hall and omnipotent property developers will it be brought down or repaired. Idea was to enter existing space that is not used at the moment and put it into public use for local community. Doors were open to everyone who wanted to take part in collective art event.

Noisy Toys room - colective sound/noise experiance

Noisy Toys room - colective sound/noise experiance

Wall paintings, poetry readings, video nights, fashion show, sound workshops, cabaret, installations, raveoke night, all fitted in aesthetics of local event that is characterized on MFA web page as: “An event like this doesn’t just happen but is the result of many, many people’s hard work.”

TAA Manchester big hall event

TAA Manchester big hall event

Noisy Toys collaborative event video >>

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January 15th, 2010 at 1:58 pm

CR 4.0 won Artemov 1st prize for locative media competition

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As it is, as it goes, prizes are starting to come in for the work that insisted on taking representative form from participative processes developed beforehand. Its 4th reincarnation happened in slightly different context, most notably in its new terms of negotiating project in the newly formed team. Positions that prizes involve: question of value, ownership, possible marketing strategies, group dynamics according to personal needs and acceptance of needs of others have surfaced at metalevel. CultureRobot became something that could easily be put into broad cultural concept and disseminated in the form it is trough events and festivals. Read more on Belo Horizonte and Salvador festival here >>.

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November 10th, 2009 at 2:08 pm

Actfest in Čakovec, CRO

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Circuit bending workshops and sound performance organized during ACTFEST in Čakovec brought ZID.BUKE (NoiseWall) together once again (maybe for the last time in this decade!).

Circuit bending workshop was finalized by performance that invited audience to try all the instruments created or recreated. As it goes with invitation for participative events, ego is dispersed, fines is lost.

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November 1st, 2009 at 2:04 pm

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Last Theater Show Ever

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September started with THE LAST THEATER SHOW EVER,  I-Camp theater, Munchen. Idea and methodology was to deconstruct traditional theater trough series of collaborative works where one work was supposed to lean on another, where each participant brings an idea and connects it to someone. International crew came around and investigated for 5 days in what might be called horizontal construction decision making and constant reevaluating of the final presentation that was constructed of three distinctive pieces.

All three were on collaboration but with different input and output models: one was following movements outside of theater and by computer calculations bringing it inside trough sound and visuals done with found (theater) hardware.

Another used sound in feedback communication that deconstructed viewers position and placement in theater, being done under the stage and audience sitting space.

Third one used virtual theater through on-line software with international particiants being projected on theater walls, together with orchestrated individual who brought event there.

Experiment was worth while intentions to discover what are group dynamics when artist are put together to work on something that calls for collaboration and sharing. Not to forget to mention that putting creativity with different bacgrounds into same place can be very frustrating and cathartic at the same time.

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October 10th, 2009 at 12:42 pm

Free Traveling Radio @ Medika

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Free Traveling Radio was hosted by Clubture Forum in Autonomous Cultural Center Medika in Zagreb. During four days of forum and festival activities we have had almost 24/7 radio going on with open microphone, DJ sets, recorded talks etc. Read more and listen to podcasts here>>

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June 23rd, 2009 at 4:32 pm

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Futuresonic Fringe @ Arcspace, Hulme

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Social Technologies Summit Futuresonic is international festival trying to answer questions of tomorrow: how will we interact with each other and nature around us in future. Futuresonic festivals fringe at Arcspace in St. Wilfrid’s Enterprise Center answered the question trough its grassroots movement created events that hosted, among many other events, CultureRobot installation.

Arcspace is situated in ex-church building that is turned into St. Wilfrid’s Enterprise Center  since 1992  – a unique architecture where insides of the church are transformed into enterprise center for ethical businesses and NGOs. St. Wilfrid’s Enterprise Center is situated in Hulme, an  area near to Manchester city center. Hulme was mapped not only as a territory but also as a specific part of the city with vibrant activist community and a history. ArcSpace was visited by people of different age and heterogeneous needs and activities, exchanging their beliefs, stories and producing new possibilities for exchange and collaboration in spirit of free culture.

Culture Robot installation was created by help of the community from the start to the end. Materials were collected or borrowed instead of purchased or rented, help with programing for interactive part of the installation was done by  friends and volunteers, and installation debuted at Saturday on the open, community day, that hosted events inside and outside the Center.CR 3.0 installation created a new relationship between local community and this art piece. More than ever people were active in collecting material, discussing and managing to interconnect installation with other events during Futuresonic fringe.

CR 3.0 mapped more than just Hulme, it mapped its people, relationships, how they feel about city development, architecture, organizations working with art and culture in Manchester and how financing is a part of the culture and where does it lead culture to, it showed community strength and grassroots development.  During the open days, all ethnic, age, academic and other walks of life were united and exchanged opinions, questions and ideas.

Guerrilla busking was happening in the city throughout the day, graffite artists were spraying on the vans and trailers (an identifiable vehicle in the Redbrick’s area of the Hulme – where travelers and free people of all sorts live). People from recycled biodiesel group, local bcycle repair man, drummers, community artists, foreign guests, local volunteers and experts were united to make a truly social event, creating bridges between cultures, people and technology in universal feeling of unity.

Read “Report From FutureSonic 2009” By Jonah Brucker on Rhizome.org

Photolog on Futuresonic Fringe at Arcspace >>

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May 26th, 2009 at 5:36 pm

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New release on GentleJunk co. NetLabel

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Wonderful Industry

WIA compilation of two last sessions recorded at the “Silence Reservoir” venue in Zagreb, Croatia by Impromondays crew:
Dragan Pajic – Pajo: noises, prepared piano, vocals, el. guitar and effects;
Anna Ghallo: poetry, vocals with effects;
Kruno Jošt: el.guitar with effects, laptop, prepared instruments.

Sometimes scary, sometimes ironic, sometimes psychedelic but always elegant and educational relationship of inner world and outside technology specified in rhymes such as: ” I want to have sexual relationship with Bill Gatess” or using actively a passive digital recorder made mistakes and sel-edited cuts.
Recorded summer 2008.
Time: 30 min.
DOWNLOAD AT ARCHIVE.ORG >>

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May 23rd, 2009 at 2:54 pm

LiveNoiseTupi

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LNT has had 6 performances since November 2008 until end of February 2009. It is project that was born under exchange of open culture between Croatia and Brazil and established by Ricardo Palmieri, by making PD patch under name od ‘I Love Noise’. Since than history is in making. LNT performed in Ljubljana, Zagreb, Dubrovnik, Sao Paulo and Sao Caetano. Audio visual performance are bricolage of noise, circuit bending and prepared instruments sounds, improvisation, collaboration with local artists and spoken word on Tupi lenguages, a similarity of languages most of west coast South American natives are speaking.

For your viewing pleasure performance recorded at Sao Caetano in two parts.

Part one:

Part two

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February 18th, 2009 at 1:18 pm

CultureRobot installation 1.0 and 2.0

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CR installation 2.0 at SESC Sao Jose dos Campos in Brazil followed 1.0 that was installed at HAIP festival in Ljubljana, Slovenia. CultureRobot is interactive installation that rises awareness about maps, open spaces and borders. It invites visitors/users/participators to rearrange, open or close borders and thus interact with the map inhabitants – CultureRobot (simple robots powered by batteries, moving randomly on the map) allowing them to consume more or less of different cultural aspects. CR is interactive installation made to raise awareness of social and political sphere that is affecting autonomous cultural sphere, synergies and correspondences in geo-techno-socio-political topology.

CR 1.0

CR 2.0

Check extensive blogging with video, photolog and process description on CR  here>>

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February 16th, 2009 at 11:26 pm

New release on GentleJunk co. NetLabel

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34.in.C++

Improvised noise session of 3 numbers ranging from whitenoise to travel sound to freeimpro piano.
Done in FOSS with PD, arduino as controller, Jack Rack and Qsynth.

Musicians: GentleJunk and VJPalm.

Recorded summer 2008 in Krizevci, Croatia

DOWNLOAD AT ARCHIVE.ORG >>

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November 13th, 2008 at 3:49 pm

RECording @ 2008culturas.com

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No. of the piece 6517 is work under name ‘RECording’ applied to internet competition and online festival 2008culturas.com. ‘RECording’ is a video where one can see tourists recording Dubrovnik.

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September 8th, 2008 at 12:48 pm

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