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Minor Disturbances is participation of following artists: Rita Cachão, Henry Collins, Edith Doove, Bruno Duarte, Margarete Jahrmann, Kruno Jošt, Jason Karaindros, Robert Maddox-Harle, Ollivier Moreels & Jean-Louis Vincendeau, Sana Murrani,Guiherme Pontes, Michael Punt,Aparna Sharma and Paul Towey.

Inspired by Charles Ives vision of spatially distributed creativity in his unfinished Universe Symphony, The Faculty of Minor Disturbances (FMD) sent out an invitation to create a minor disturbance as we corralled the forces of the universe together with 2I/Borisov, an interstellar comet which visited the solar system.

See participating works here >>

Nature Like is an artist research of coexistence with his immediate environment using permacultural methods and photography that documents seasonal time-span.

NK uses artists labor to develop and organize “multi-cultural” garden (not “mono-cultural”) that will eventually become permanent and autonomous – people independent. Slide show documents artist arrangement of the garden, using its shape like a painter would use a canvas, and gardening materials as a paint. Elements of this composition include wind, sun, microbes, fungi, plants, insects, soil, stone, compost, birds, larva, worms, straw bales, water, wood, plastic tarp, plastic cups and water containers, water hoses, plastic compost containers, snow and temperature.

MSF at Stützpunkt ​Teufelsberg gallery, Berlin, is an installation that uses renewable energy, plant, light and sound to create elements that are presented in need of questioning relations of “us” and “nature”.

Installation produces light and sound frequencies that are beneficial to the plant. It is a mobile installation that is powered by sun light over photo-voltaic panel. Electricity is than stored in a battery that powers recycled mobile phone playing specific frequencies for the plant. Battery also powers a light that shines trough red and blue led diodes benefiting plant growth and fruit development.

MSF is art that is beneficial to the plant. It is not solely here to be an art piece for human observation. thus, it is asking a question of art production – who is it for and why, art institutions – who they present art and why, and reasons for art in Anthropocene.

Installation that utilizes sound, light and living plant, “Sound  Fertilizer” is presented at Cologne gallery Tiefgarage situated in multicultural Ebertplatz, between 22. and 26. July 2018.

Zucchini plant is positioned at the middle of the gallery, a light bulb above and two mobile phones with sets of frequencies placed next to the plant. Zucchini has been planted in the straw bale at Center for Creative Solution in Croatia and after few months transported with  car over the half-borders (borders running only on one side of the neighboring countries) to Cologne. Cucurbita L has no known origin, some coming from USA and some from India. Its multiculturalism resembles every large EU city with its multicultural inhabitants and especially Cologne’s Ebertplatz where it is situated. 

Light used has spectrum of 4000K that enables growth and flowering, while two recycled mobile phones (non functioning, used only as sound players) play sets of frequencies created especially for zucchini plant.

Sound Fertilizer encourages plant to grow in healthy and stable conditions, inside the gallery. Technology enabled art for the plant can also pos3e a question of its environment – anthropocentric culture that grows on both neo-liberal capitalism and/or social state of liberal humanism, while neither of options are furthering away from unbalanced relationship of people as subject and plants as object.

This installation makes plant a subject, as sound is artistically produced and intended for a plant.

16 Channel sound Fertilizer presented at Büro für Bestimmte Dinge, Berlin, in April 2017, with opening talk by Kruno Jošt.

16 small speakers are connected to multichannel sound card run by the computer. Each channel plays a sound or song that was researched as the one beneficial to the plants – from classical to binaural, from high frequencies to traditional sitar sounds. This conglomerate of sounds was not intended only for human gallery visitors, but for the plants as well.

More photos can be find here >>

Close Encouners is interactive sound sculpture produced in collaboration between Karl Heinz Jeron and Kruno Jošt for Potato Day of Lovinac municipality. Name of the sculpture comes from a cult movie, but now with a set of frequencies it is not aliens communicating to us, but potatoes.