Mario Jaksic in interactive performace suit
In gallery Scheier, Čakovec, Croatia, on 05th December 2009, EEII’09 12 hour event brought together artists from Greece, Netherlands, Italy and Croatia.
Wall graphite
Inspired by London collective ‘Random Artists’, over the past few years collective groups in Bristol, Manchester, Edinburgh and Brighton have been coming together to create a cultural, interactive, autonomous space where people are free to be, free to create, and free to express themselves. Forbiden Arts Manchester in 2009 happened in occupied primary school building that was left empty waiting for decisions by city hall and omnipotent property developers will it be brought down or repaired. Idea was to enter existing space that is not used at the moment and put it into public use for local community. Doors were open to everyone who wanted to take part in collective art event.
Noisy Toys room - colective sound/noise experiance
Wall paintings, poetry readings, video nights, fashion show, sound workshops, cabaret, installations, raveoke night, all fitted in aesthetics of local event that is characterized on MFA web page as: “An event like this doesn’t just happen but is the result of many, many people’s hard work.”
TAA Manchester big hall event
As it is, as it goes, prizes are starting to come in for the work that insisted on taking representative form from participative processes developed beforehand. Its 4th reincarnation happened in slightly different context, most notably in its new terms of negotiating project in the newly formed team. Positions that prizes involve: question of value, ownership, possible marketing strategies, group dynamics according to personal needs and acceptance of needs of others have surfaced at metalevel. CultureRobot became something that could easily be put into broad cultural concept and disseminated in the form it is trough events and festivals. Read more on Belo Horizonte and Salvador festival here >>.
Circuit bending workshops and sound performance organized during ACTFEST in Čakovec brought ZID.BUKE (NoiseWall) together once again (maybe for the last time in this decade!).
Circuit bending workshop was finalized by performance that invited audience to try all the instruments created or recreated. As it goes with invitation for participation events, ego is dispersed, fines is lost. I am thinking is it the power of the group, embracing crowd attitude, or is it using crowd to do my own work?
September started with THE LAST THEATER SHOW EVER, I-Camp theater, Munchen. Idea and methodology was to deconstruct traditional theater trough series of collaborative works where one work was supposed to lean on another, where each participant brings an idea and connects it to someone. International crew came around and investigated for 5 days in what might be called horizontal construction decision making and constant reevaluating of the final presentation that was constructed of three distinctive pieces.
All three were on collaboration but with different input and output models: one was following movements outside of theater and by computer calculations bringing it inside trough sound and visuals done with found (theater) hardware.
Another used sound in feedback communication that deconstructed viewers position and placement in theater, being done under the stage and audience sitting space.
Third one used virtual theater through on-line software with international particiants being projected on theater walls, together with orchestrated individual who brought event there.
Experiment was worth while intentions to discover what are group dynamics when artist are put together to work on something that calls for collaboration and sharing. Not to forget to mention that putting creativity with different bacgrounds into same place can be very frustrating and cathartic at the same time.
At the inner parking, hidden from the rest of the world, in the secrecy of the night a gathering was supposed to happen. And an answer to that was a performance ending in the temporary ground graphite.
transit hotel temporary graphite. Asphalt, urine.
ILN 1 is recorded A/V performace lasting 25 minutes using moving images filmed on the travel to Dubrovnik, most South (once free) city in Croatia. Short clips are turned into loops and eventually became an abstraction that are powering the sound behind it. Using Pure Data and sometimess WIImote controler an intensive performance that goes into sphere of self investigation and spiritual.
Download video here >>
ART01 project BR-HR EXCHANGE MMKamp & Free Traveling Radio